In this book, Ishan Khosla decided to use a cover that doesn't display any textiles, since most textile books always showcase something literally textile. Instead, his concept for all the covers was about trade and the power of Bengali textiles that made them sought out by Europeans who would pay a handsome price for the jamdanis and other weaves as well as the kanthas. Some of the covers also features documents by the Dutch who made copious records about the dyes and processes used in Bengal for textile production.
The famed Bengal textiles which once ‘clothed the world’ have received little scholarly attention. With the systemic destruction of Bengal’s textile industry, prompted by the Industrial Revolution in Europe, the muslins and Balucharis of Bengal were lost in obscurity. The partition of the Indian subcontinent and the consequent varieties of cultural and social identity in present-day India and Bangladesh have contributed to this neglect. This pioneering publication explores in depth the lost textile traditions of Bengal from the 16th to the 20th century and traces its impact on the historical and cultural aspects of the region.
This book is conceived as a dialogue between historians, anthropologists, art historians, textile practitioners and textile scholars who bring their diverse perspectives and expertise on the fundamental catalysts of change in the textile tradition of Bengal. The book serves as a public history, with engaging chapters presenting a unique perspective on the textiles of wider Bengal supported by superb illustrations of textiles, maps and trade documents from the past, most of which have never been published before. This volume will inspire the reader, reorient scholarly attention and provoke a rethinking of the nature and history of Bengal textiles.
Edited by Sonia Ashmore, Tirthankar Roy and Niaz Zaman and Foreword by Rosemary Crill. With contributions by Hameeda Hossain, Ghulam Nadri, Barbara Karl, Ritu Sethi, Paola Manfredi, Susan Bean, Rosie Llewellyn-Jones, et.al.
